Certificate Recipients

IRWGS Certificates Awarded in 2016-2017

Allison DeWitt

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Allison DeWitt: Department of Italian

Field: Feminist geography, sexual difference theory and Muslim-Christian relations in the medieval Mediterranean

Submisssion reviewed by: Lila Abu-Lughod

Allison DeWitt is a PhD candidate in the Department of Italian and the Institute for Comparative Literature and Society. Her dissertation is on the use of geography in Dante’s Divine Comedy specifically focused on representations of the world outside of Europe.  This will be accompanied by a digital map to be hosted on Columbia’s Digital Dante site, for which is an assistant editor.  She has written and presented on the use of digital tools for research and the classroom and has worked extensively with the Center for Teaching and Learning on graduate student pedagogical development.  Her research interests also include feminist geography, sexual difference theory and Muslim-Christian relations in the medieval Mediterranean.

Leah Werier

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Leah Werier: Department of Art History 

Examiners: Marianne Hirsch and Rosalyn Deutsche 

Field: Vision, Photography and TV 

Leah Werier is a PhD student in the Department of Art History at Columbia University. She is a 2016-2017 IRWGS Graduate Fellow. Her doctoral work focuses on modern and contemporary art. Her research interests include architecture and public space and its’ intersections with vision, desire, feminist and queer theory. Leah has also completed the certificate program at the Institute for Comparative Literature and Society (Columbia University). She completed an MA in Art History at the Courtauld Institute on the subject of art and psychoanalysis which was supervised by Mignon Nixon and Juliet Mitchell.

Trevor Corson

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Trevor Corson: Graduate Writing Program, School of the Arts at Columbia University

Examiners: Rebecca Jordan-Young and Kathryn Tabb

Field: History and philosophy of biology

Trevor Corson is a literary science journalist who writes about the relationship between the natural world and society. After writing two books involving the ecology, sex lives, and gender roles of sea creatures, and their relationship with human food harvesting, he is now working on projects related to how human behavior and biology interact with cultural habits and ideas. While pursuing a mid-career MFA in writing at Columbia’s School of the Arts he served as a teaching fellow in Columbia’s Department of English, where he taught first-year seminars in the gender & sexuality course track of the Undergraduate Writing Program. Trevor has written for many mainstream publications and taught at Boston University, The New School, the University of Memphis, and the Key West Literary Seminar in addition to Columbia. Previously he was the managing editor of the journal Transition at the W.E.B. DuBois Institute at Harvard University.

Danielle Drees

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Danielle Drees: Ph.D. Program in Theatre, Columbia University

Danielle Drees studies the interactions among modern theatre, political economy, and feminist theory. Her dissertation “Staged Sleep: Sleep Theatre in Late Capitalism” focuses on contemporary theatre and performance art about sleep in a global context, arguing that sleeping characters onstage reveal an array of social and state relations, from relationships with partners and neighbors to the systems of private property, rental, and state support we depend on for shelter. Before coming to Columbia, Danielle lived on a farm in Iowa, stage managed countless college theatre productions, and taught writing in Abu Dhabi. At Columbia, she has taught Gender and Sexuality sections of University Writing and was also selected as a teaching assistant for Columbia University in London, in partnership with Queen Mary University. Danielle is committed to connecting her academic work to art and activism in New York, having volunteered as a coordinator for Columbia’s Theatre Colloquium, a play reader for non-profit theatre company New Georges, and an organizer with Graduate Workers of Columbia. Her work has been published in Performance Research.

Tiana Reid

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Tiana Reid: Department of English and Comparative Literature

Tiana Reid is a doctoral candidate in English and Comparative Literature at Columbia University, where she is also pursuing a concentration from the Institute for Comparative Literature and Society. Her research focuses on literatures of the African diaspora, marxism, and feminism. For her graduate certificate in feminist pedagogy from Columbia’s Institute for Research on Women, Gender, and Sexuality, she developed a course called “Experiments in Feminist Reading: Poetry in the Reagan Era.” 

Tiana is a writer whose work has appeared in or on Bitch, Mask Magazine, Maisonneuve, VICE, Full Stop, Rabble.ca, The Feminist Wire, The Toast, The Recluse, and more. She is also a senior editor at The New Inquiry and an editorial assistant at Small Axe: A Caribbean Journal of Criticism.

Abbe Schriber

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Abbe Schriber: Department of Art History and Archaeology

Field: Modern and contemporary art; African-American art and art of the African diaspora; media and performance

Abbe Schriber is a PhD candidate in the Department of Art History and Archaeology at Columbia University. She examines modern and contemporary art with an eye toward black studies, and decolonial and feminist theories.

Her dissertation takes up the cross-media work of David Hammons in New York between 1974 and 1989, arguing that he stages obscurity in order to reveal the ethics of social and artistic visibility. Her writing has appeared in Texte zur KunstArtforumArt in America, and The Brooklyn Rail, and has been commissioned by institutions including the Museum of Modern Art and The Studio Museum in Harlem. She received her BA from Oberlin College in 2009.

In 2017-18, Abbe will be the Douglass Foundation Predoctoral Fellow at the Smithsonian American Art Museum.

Hinasahar Muneeruddin

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Hinasahar Muneeruddin: Religious Studies, University of North Carolina at Chapel Hill

Hinasahar Muneeruddin is currently a PhD student at University of North Carolina at Chapel Hill in Religious Studies. She completed her Masters degree in Islamic Studies as well as the IRWGS Graduate Certificate in Feminist Scholarship at Columbia University in the City of New York in 2017. Hina graduated with her Bachelor of Arts degree with honors from Northwestern University in Psychology and Middle East Studies in 2014.  Her overall research interests lie at the intersection of Islam, gender (feminism), race, and subjectivity. 

Maeve Sterbenz

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Maeve Sterbenz: Department of Music

Field: Music Theory 

Maeve Sterbenz is a PhD student in the Department of Music, where she recently defended her dissertation, “Moving with Music: Approaches to the Analysis of Movement-Music Interactions.” Her current research combines music analysis and movement analysis to investigate relationships between music and movement in music videos, ballets, modern dance works, and dance films. Her work aims to account for structural complexities in movement-music interactions and to examine the role of such interactions in articulating identities and politics. Maeve has published some of this work in an article for a special issue of Music Theory Online on feminist music theory. Generally, Maeve is interested in approaches to music analysis that acknowledge the subjective and embodied nature of listening experiences. Maeve also completed her BA at Columbia University in music and physics.

Erica Richardson

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Erica Richardson: Department of English and Comparative Literature

Erica Richardson is a seventh year PhD candidate in English and Comparative Literature. Her research explores “how black authors and intellectuals from the 1890s through the 1930s use aspects of sociology in their literary production as a means of representing black social life during a time of racial violence and constraint.” Richardson explains that in her work “categories of gender and sexuality are central to defining and theorizing black racial uplift.”  In the fall, Richardson will also serve as a Literature Humanities Preceptor in Columbia University’s Department of Core Curriculum.  When Erica isn’t teaching or working on her research, she spends her time enjoying healthy Southern cooking (it does exist!), weight training, and making collages.

IRWGS Certificates Awarded in 2015-2016

Grace Delmolino

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Grace Delmolino: Department of Italian

Field: Gender, language, and law

Examiners: Marianne Hirsch & Martha Howell

Grace Delmolino is a PhD candidate in the Department of Italian and the Institute for Comparative Literature and Society. Her research interests include Boccaccio, Dante, Petrarca, legal and economic history, and gender studies. Her dissertation, titled “The Legislation of Sex: Canon Law, Gender, and Humanism in Boccaccio’s Decameron,” offers a historicized reading of the intersection between law, literature, and gender in the works of Giovanni Boccaccio. This work on medieval law and literature is guided by an interest in contemporary critical and feminist theory: in addition to her concentration in Comparative Literature and Society, she is pursuing the certificate in feminist scholarship at Columbia’s Institute for Research on Women, Gender, and Sexuality, where she was awarded the 2014-15 IRWGS Graduate Fellowship. She is also one of twelve Teagle Fellows in the academic year 2014-15 and currently serves as Senior Assistant Editor of Digital Dante.

Elizabeth Dolfi

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Elizabeth Dolfi: Department of Religion

Field: Feminist and Queer Studies of American Religious History

Examiners: Josef Sorett & Janet Jakobsen

Liz Dolfi entered the doctoral program in Religion at Columbia University in 2012 in the North American Religions subfield. She is primarily interested in feminist and queer studies of American Religious History, with an emphasis on twentieth-century evangelical media. She received her MA in Religion and Women, Gender, and Sexuality Studies from Yale Divinity School in 2012, and her BA in Religion and Women’s Studies from Vassar College in 2009.

Christopher Edling

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Christopher Edling: School of the Arts/Program in Nonfiction Writing

Field: Gender, Transnational Feminism, and Anthropological Approaches to Bride Abduction in Central Asia

Examiners: Lila Abu-Lughod & EC Crandall

Chris Edling earned an MFA in nonfiction at the School of the Arts. He spent three years as a Peace Corps volunteer in Armenia. Between 2009 and 2012, he began to research bride kidnapping, a practice common in that region of the former Soviet Union. Chris is spending the 2015-2016 academic year in Bishkek, Kyrgyzstan, on a Fulbright fellowship in order to develop a book project.

Susanna Ferguson

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Susanna Ferguson: Department of History

Field: Women’s History and Feminist Theory in the Modern Middle East

Examiners: Lila Abu-Lughod & Neferti Tadiar

Susanna Ferguson is a PhD Student in the History of the Modern Middle East, with interests in women and gender, histories of thought, and genealogies of feminism in the Arab world. She is also a certificate candidate at Columbia’s Institute for Research on Women, Gender, and Sexuality (IRWAGS) and a Graduate Fellow of the Women Creating Change project at Columbia’s Center for the Study of Social Difference. Her dissertation tentatively focuses on the transformation of the concept and practice of tarbiya in Egypt and Mount Lebanon at the turn of the 20th century, when the term began to invoke new notions about education and childrearing which would help to shape Arab feminist trajectories into the 20th century.

Nicole Gervasio

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Nicole Gervasio: Department of English

Field: The Ethics and Politics of Representing Sexual Difference in Queer and Feminist Theory

Examiners: Sharon Marcus & Rosalind Morris

Nicole Gervasio is a Ph.D. candidate in the Department of English and Comparative Literature at Columbia University. Her dissertation is on the ethics of representing mass political violence in contemporary postcolonial literature. Her work focuses on intersections between queer, postcolonial, and feminist theory in relation to themes of survival, embodiment, and trauma in literatures of the Global South. She also has a B.A. in English and Growth & Structure of Cities from Bryn Mawr College and has been the recipient of Mellon Mays, Beinecke, and Javits Fellowships.

Gulchekhra Rikhsieva

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Gulchekhra Rikhsieva: Department of Art History

Field: Human Rights, Visual Culture, and Memory Studies

Examiners: Marianne Hirsch and Rosalyn Deutsche

Gulchekhra Rikhsieva completed an MA in Modern Art: Critical and Curatorial Studies (MODA) from the Department of Art History at Columbia University. She is interested in intersections of visual culture with queer theory, feminist theory, and critical race theory.

Lucie Vágnerová

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Lucie Vágnerová: Department of Music

Field: Technology, gendered labor, race, music, sound, and postcolonialism.

Examiners: Ellie Hisama & Alondra Nelson

Lucie Vágnerová is a PhD candidate in Historical Musicology at Columbia University. Her dissertation, titled “Sirens/Cyborgs: Sound Technologies and the Musical Body,” explores composers’ work with sound technologies that challenge traditional notions of the body in music, such as vocal filters, technologies of acousmatic address, gesture controllers, and other wearables. Focusing on women composers in the United States, Lucie studies constructions of electroacoustic and electronic musical bodies that challenge gendered technological and epistemological paradigms. She is broadly interested in critical theory, feminist musicology, the social life of technologies, and the intersection of commercial and listening practice. Lucie has presented her research at the University of California Berkeley, Stony Brook University, Harvard, Columbia, and Lancaster University. At Columbia,she has taught Masterpieces of Western Music, Critical Approaches to Music Technologies, and Sexing Sound Art. Lucie is a member of the editorial board of Current Musicology and Assistant Editor of Women & Music: A Journal of Gender and Culture.

Ibai Atutxa

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Ibai Atutxa: Department of Latin American and Iberian Cultures

Field: Contemporary Southern European democratic struggles, legal epistemologies, mass media, feminism and queer theory, continental philosophy, and cultural studies

Examiners: Elizabeth Povinelli & Ana Paulina Lee

Ibai Atutxa is in the Latin American and Iberian Cultures department at Columbia University.  In his current research work he approaches the collapse of legal and media discourses regarding oil spills, toxic assets and of the following criminals: the homosexual, the terrorist, the migrant and the insolvent, in contemporary Spain and Europe.He holds a B.A. in Basque Philology (Deustuko Unibertsitatea) and two M.A.s in Comparative Literature and Contemporary Philosophy respectively (Universitat Autònoma de Barcelona).  He has also received an M.A and M.Phil. from Columbia University. His research interests include contemporary Southern European democratic struggles, minor literatures, legal epistemologies, mass media and the formation of lateral socialities. His theoretical framework is built upon feminism and queer theory, continental philosophy, and cultural studies.

Daniel da Silva

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Daniel da Silva: Department of Latin American and Iberian Cultures

Field: Lusophone world, exploring feminist and queer articulations through performance, music, film, literature and political struggle at transformative moments throughout the XX and XXI centuries

Examiners: Ellie Hisama & Elizabeth Povinelli

Daniel da Silva is in the Department of Latin American and Iberian Cultures at Columbia University in the City of New York, completing a PhD in popular culture, performance and queer theory in the Portuguese-speaking world, where he was also awarded an M.A. and M. Phil. Previously, he received his B.A. in History at Rutgers University, Newark, with a concentration in Lusophone Studies. Before returning to academia, Daniel da Silva served as a director of new media and marketing for independent music labels, artists and publicity firms in New York, representing a broad spectrum of artists, from Chavela Vargas and Cesaria Evora to Bjork and Anhoni, among many others. Performance continues to form and transform his work, and in good years he can be found fronting the New York based band Vovete: thisisVovete.com.

Shenila Khoja-Moolji

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Shenila Khoja-Moolji: Department of Curriculum and Teaching

Field: Girlhood Studies; Gender, Culture, and Human Rights

Examiners: Lila Abu-Lughod & Ellie Hisama

Shenila Khoja-Moolji is a scholar of gender and education with a focus on South Asia and immigrant diasporas. She is working on her first book that traces the discursive production of educated female subjects in the context of colonial India and postcolonial Pakistan. Shenila’s work has appeared in Signs (in press), Gender and EducationComparative Studies of South Asia, Africa and the Middle EastFeminist TeacherCompare: A Journal of Comparative and International EducationGirlhood Studies, and Journal of Diaspora, Indigenous, and Minority Education, as well as in the form of several book chapters. Shenila will join the University of Pennsylvania’s Program on Democracy, Citizenship, and Constitutionalism, and the Department of Gender, Sexuality, and Women’s Studies as a postdoctoral fellow in Fall 2016.

Alessia Palanti

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Alessia Palanti: Department of Italian

Field: Feminisms, Gender, Sexuality, Queer Theory, Cinema

Examiners: Marianne Hirsch, Ellie Hisama

Alessia Palanti is a PhD candidate in the Department of Italian and the Institute for Comparative Literature and Society. She recently received her IRWGS certificate, and has been awarded the 2016-2017 IRWGS Graduate Fellowship. She is writing her dissertation on 21st century Italian women’s cinema that focuses on women’s lives and experiences from a female perspective. Her project traces the development of Italian feminisms and their place in the international landscape of feminist inquiry into gender and sexuality through an analysis of contemporary film, and examines the influences and possibilities of female subjectivity in visual media and representation. Alessia’s work has been published in the Journal of Modern Italian Studies, “Revising History: Elvira Giallanella’s Umanità and the Editing of Gender,” and in the Pirandello Society of America Journal, “Scripting il ‘cielo di carta’: The Men behind the Curtain in Paolo and Vittorio Taviani’s Cesare deve morire.”